The Importance of Using a Makeup Artist During Your Boudoir Session
The Importance of Using a Makeup Artist During Your Boudoir Session, and how to get the exact look YOU want:
Communication is Imperative
This article was written with the Makeup Artist in mind - communicating to the Photographer, how to make sessions a positive experience, but we find that the client can also help make their end-vision, a masterpiece, but knowing the back-end-behind-the-scenes-goings-on, of how YOUR final images, HAPPEN!
Communicating your creative vision to the makeup artist before the shoot is vital. You think this one would be a no brainer, but you’d be surprised. Let’s start out with the obvious thing here first: no one is a mind reader. Keeping a chain of communication between the entire creative team working on a shoot is essential. This includes mood boards, pinterest and wardrobe. Please keep in mind hair styles are dependent on what they have to start with. This allows the makeup artist to come prepared with everything they need for the shoot. We have to lug around a lot of stuff, and if we can lighten our load, it helps us tremendously. It also keeps us organized. If we have a solid idea of what each look will be on each model, we’ll be more prepared and will move more quickly through each look.
Harmony is everything. Sometimes a shoot is just a photographer, a model, and a makeup artist. Sometimes a shoot is a photographer, photographer’s assistant, makeup artist, hair stylist, makeup artist’s assistant, art director, editor, stylist, and an army of models. Shoots can range from anything in between these two and more depending on the shoot, the client, the purpose of the shoot, and the budget. It’s important to have all the moving parts working towards one goal. If everyone is confused, things won’t run smoothly and the shoot will be stressful, forced, and limited in time. Communication is the key to keep everything fun, friendly, and productive.
Be Patient:
Don’t rush the Makeup Artist. Yes, we’re used to working under pressure, but I’ve worked on shoots where I haven’t even taken out my brushes yet and the photographer is asking me if I’m done. This is another case where communication is key. If we know how many looks we need to get done in one day of shooting, we’ll have a better idea of what looks we can realistically complete in the time frame given and whether or not we need to bring an assistant. Also, plan to have the MUA and styling team come very early to set up their stations and get ready. If you’re rushing and putting major pressure on the MUA, you might make things take longer since we’ll be stressed or scrambling.
